100 Best Breweries Bonus Content: Drinking in Brussels


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À la Mort Subite

The second piece of ‘bonus content’ exclusive to this blog: some more material that didn’t quite fit in to the new issue of Craft Beer – The 100 Best Breweries in the World. In the new issue is a guide to some of the best bars in Bruges, but there wasn’t quite enough room for this brief guide to some of the best bars in that other Belgian beer lover’s paradise, Brussels. (You can read the first piece of bonus content – an interview with Camden Town Brewery’s Head Brewer Alex Troncoso – right here)


As a city, Brussels has many districts, though many of the bars are thankfully within comfortable walking distance of each other. With more bustle than Bruges, it’s nice to break up your drinking excursions with visits to restaurants and museums, though it’s just as easy to find a bar with a particularly good selection and bunker down for an afternoon. It can be tempting to settle at one location and work your way through the ten or so beers that have caught your eye. Feel free to do so, the other pubs aren’t going anywhere, the staff are friendly, and they have food, so why not just relax?


À la Mort Subite

Rue Montagne aux Herbes Potagères 7, 1000 Brussels


No visit to Brussels, or indeed Belgium, would be complete without a visit to this most iconic and decidedly Belgian of cafes. The bar’s own lambic blends are a must-try: Gueuze, Kriek, Faro, Peche and White Lambic are all available on draught, and best enjoyed with a plate of meat and cheese.



Brasserie Cantillon
Brasserie Cantillon


Brasserie Cantillon

Rue Gheude 56, 1070 Anderlecht


Whilst not strictly a bar in the traditional sense, the fact that some of Belgium’s finest beers can be tasted here makes a visit to Cantillon an essential visit. After taking a tour of the brewery, relax with some fresh Rose de Gambrinus, different aged lambics, or a bottle of something to take home.


Delirium Cafe


Delirium Café

Impasse de la Fidélité 4, 1000 Brussels


The slightly mocking tone of the monastic décor here gives foreigners a taste of what might constitute Belgian humour. Delirium may not be a Trappist brewer, but many if not all Trappist breweries have their beers represented at their bar here, along with classics from across the country.


Le Poechenellekelder

Rue du Chêne 5, 1000 Brussels


Near the famous Mannekin Pis statue, Poechenellkelder (or the ‘Poeche’) is a friendly, well-stocked beer bar with a small outdoor space and lively atmosphere. The eccentric décor of puppets, rare beer glasses and, well, stuff, is all quite charming. Helpful staff are on hand to guide you through the extensive menu.


Moeder Lambic
Moeder Lambic

Moeder Lambic

8 Place Fontainas, 1000 Brussels


The original Moeder Lambic bar is in nearby Saint-Gilles, but this newer, city centre bar is the ideal end to a trip around Brussels. The range here is varied, and worthy of note for the occasional kegs of Gueuze Tilquin and offerings from Jandrain Jandrenouille and Brasserie de la Senne. Meat and cheese boards are de riguer food-wise.

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 You can read more guides to drinking in top beer cities in ‘Craft Beer: 100 Best Breweries in The World’, now available in newsagents and online.

100 Best Breweries Bonus Content: Interview with Camden Town Brewery’s Alex Troncoso


Alex Troncoso at the Camden Town Brewery Bar
Alex Troncoso at the Camden Town Brewery Bar


Our new issue of Craft Beer –  ‘The 100 Best Breweries in The World’ was such a huge piece of work that not everything fitted into the pages of the finished magazine. A few bits and pieces of interesting stuff were regrettably cut for space, so in the interest of completeness, and to give you a taster of the content in the magazine, I’ll be posting some ‘bonus content’ here for the good men and women who read this blog.

First up is an interview with Camden Town Brewery’s Head Brewer and all-round top bloke, Alex Troncoso:


Alex Troncoso joined Camden Town Brewery at the start of 2013, having previously worked at Little Creatures in Australia, where he was Chief Brewer and Head of Brewing Development.


What does brewing mean to you?

There’s a quote from a homebrewing book that I really like: “Art meets Science and has a beer”. I like that it’s highly technical but also creative. It’s greater than the sum of its parts, you know? You can calculate colour, you can calculate bitterness, analyse those and think that’s probably about right. Roughly estimate what you attenuation is going to be, your level of alcohol, but you can’t calculate flavour or exactly what it’s going to be. I like the fact it’s technical, there’s a lot of history, and it still involves artistry in some ways.


Who inspires you as a brewer?

What I like to say is that companies that are grounded, who have a strong commitment to what they’re doing, big ones like Sierra Nevada who are still a fantastic brewery, we can all aspire to be like them. The kind of guys who have been in a brewing company, and made it to a certain level of capacity, they run everything like a military operation, they can control quality, efficiency all that sort of thing. Using all the technology in the world, not to make things cheaply but to make things better.

So that’s what I like about what we do here. It’s very hands-on and we’re very small here. What we’re doing is using a lot of technology to take out some of the less important work so we can focus on the more important work.


How would you describe Camden’s beers to someone who has never had them before?

In my previous life, I worked for another brewery called Little Creatures. Their Pale Ale was at the time, like crazy bitter, but now it’s like normal bitterness – 42 IBUs or something – but at the time I started it was insane.

Regardless of the bitterness level, we always strived to have a certain balance to everything we made, and that’s what I’m trying to do at Camden. Anything we make, even if it’s a bit bigger, like Camden Versus Odell, or the Camden Versus Italy Märzen, even with things like that we try to keep the balance.

At Little Creatures I was used to making bottle-conditioned pale ale, lots of it, so that was a lot of fun but it was also quite complicated. The process of something like Camden Hells is simpler, but in a lot of ways it’s more difficult to make, because there’s nowhere to hide any mistakes! With Hells, it’s very easy for it to be too bitter, or too sweet, and every single beer has its own sweet spot to it.

It’s just a matter of dialling it in and figuring out where it is, but also remembering that the sweet spot might change from year to year. At times, say like this year, Pale at the moment is about 42 IBU, next year we could push it to 45, or maybe it has to be 38, and that can be dictated by the hop crop that year [and what we have to work with].

So anyway, balance. You got to remember, you’re not going to appeal to everyone, but I just want to put something on the bar that looks great, smells great and tastes great.


Which of your beers do you feel is your greatest achievement?

From our one-off beers, I think Camden Versus Odell. It’s bloody brilliant! It was all pretty casual, we spoke to Doug Odell, we’d talked about what we should do, we originally wanted to do a lager, but we had kind of already done a highly hopped lager, with SKA Brewing. They suggested using Cutthroat Porter as the base for a beer, I went back and said ok, but let’s do it as a Baltic Porter, make it a bit stronger. Scaled everything up but used in the same proportions. That was really fun.


And the most difficult?

The one that had me on the edge of my seat was Camden Versus Italy: the Märzen (a German lager beer style traditionally brewed in March and matured over the summer). When we brewed it, it looked great, colour was bang on, bitterness level was bang on. But when I started tasting at the start of the maturation period, it wasn’t right. It tasted bitter as hell, looked like swamp water and I thought “Oh my God!”

We brewed the beer with three different Italian brewers, so they’d each be asking me “How’s the beer coming along?” and I’m thinking “Oh shit.” It got to the point where I thought we would have to dump it. I was really, really nervous. I kept saying to myself “Don’t panic! Give it time,” like every day, checking it. And over time, the flavours gradually came together, getting slightly better every day, until after the three weeks of maturation after fermentation, it just kind zoned in to where it needed to be. Then it ended up tasting fantastic!

I spoke to this German brewer about it, explaining how I was really panicking about it, and he just  said “ah, the Marzen takes time,” and I was like “ah, okay.” But it was great for everyone on the team to see how a beer can change and get better, and it reinforced that, with the lager beers especially, we need to give them time.



Since the brewery bar opened, Camden has always had a really strong connection to local street food vendors. Do you have a favourite beer and food match?

Yeah, man: Motherflipper burgers! They’re here tonight and I’ll definitely be having one of those later. I’ll probably slam one of those with a pint of Unfiltered Hells.


Are there any special beers planned for 2014?

We have lots of ideas, so we worry more about how we’re going to be able to do them all! To try and get anything special fitted in, we need to plan quite far ahead, at least 3 months in advance because the tank schedule is just so full. We have about 5 ‘Versus’ collaboration beers in the schedule now and a few other little things, too.


You can read more interviews with the world’s top brewers in ‘Craft Beer: 100 Best Breweries in The World’, now available in newsagents and online.

Craft Beer: 100 Best Breweries in The World


Available in WHSmith, supermarkets and newsagents.
Available in WHSmith, supermarkets and newsagents.

A new guide to the best breweries in the world and the stories behind them and their beers.

This week you should be able to get your hands on the second issue of Future’s ‘Craft Beer’ bookazine series: the 100 Best Breweries in The World. Like the last issue, Craig Heap and myself were asked to create and write it, this time with the additional help of a Few Good Men (Matthew Curtis, Ruari O’Toole and Leigh Linley). Copies should be hitting the shelves of WHSmith, larger supermarkets with magazine sections and decent newsagents right now. You can expect:


– In-depth features on 100 breweries from the UK, US, Belgium, Germany, the Czech Republic, Italy, Ireland, Scandinavia, Australasia and more!

– Tasting notes for beers from each of the breweries

– Interviews with head brewers and the stories behind their beers

– Guides to the best pubs, bars, beer festivals and beer culture in the UK, US, Belgium, Germany and the Czech Republic

– Features on the brewing process and brewing equipment, brewing history, abandoned breweries, and some general beer appreciation and consumer-focused helpful info.


If the first issue of ‘Craft Beer’the 365 Best Beers in the World – was a mixtape of the best of the modern beer scene, this second issue is something slightly more thoughtful and complex. Perhaps a ‘background to cooking breakfast’ Radio 4 program about a particular genre of music, exploring the inspirations, variety and depth of the scene.

When Craig and I were asked to write a follow-up to the 365 Best Beers in the World, covering the world’s best breweries seemed like a good next step. The content was always going to be far more than just a list, and as we fed more and more ideas into the outline, it became quite clear we would need some reinforcements.

Leigh Linley, Matthew Curtis and Ruari O’Toole are great writers and good friends of ours. Craig and I were both certain that they had the determination and boundless enthusiasm to get the job done. By dividing our labours, we could each add our own expertise and passions to different areas of the project. Splitting the UK breweries between the five of us, Craig, Matt, Ruari and myself each took on one of the other major brewing countries (I chose Belgium, Craig takes on the Czech Republic, Ruari covers Germany and Matt covers the US) and a couple of features each.

Another key decision early on was to try to get as many in-depth interviews with brewers as we could. Our interviews show that, like the breweries themselves and the beers they make, brewers simply do not fall into one particular category or type of person. At the European Beer Bloggers Conference last year, Garret Oliver said in his keynote speech that ‘Beer is People’, and I think this is a good introductory idea to what the new magazine is all about. At the heart of this amazing industry are some amazing people, and this magazine tells the story of some of the best of them.

I hope people enjoy the new issue as much as the last one. I can’t wait to read it myself. I worked with some fantastic writers on this magazine and I’m really looking forward to reading their work. Cheers!

‘ Craft Beer: 100 Best Breweries in the World’ is available to order online, and should be on the shelves of a WHSmith, supermarket or newsagents near you. I’ll add a link to this post for the iTunes version shortly (and subscribers to the last magazine through iTunes may already have early access).

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