BEER – Page 2 – Chris Hall

Down Escalator

HURRAY!

What was once thought nigh on impossible has finally come true. The beer duty escalator, established by Labour Chancellor Alastair Darling to increase the duty on beer two per cent above inflation every year, will be scrapped. This is largely thanks to tireless campaigning from across the beer industry, from bodies like CAMRA, brewers, MPs and trade bodies like the British Beer and Pub Association. The Government has finally recognised that the escalator was doing more harm than good, and it will shortly be taken out behind the Treasury and shot until it is dead.

Most would agree that a battle has been won, but not the war. Already, the success of the campaign to scrap the escalator has prompted calls for reductions to VAT for pubs, people are starting the see the merit of consumer, trade and political bodies working together to achieve common goals, but before we get ahead of ourselves, can we think of anything negative to say? Anybody? Perhaps each of us could have a little dig at someone before we all get too cheerful? I mean, this is an achievement, don’t get me wrong. After all, not only is the beer duty escalator finished, but there will also be a CUT in duty of 1p per pint. Fantastic.

But… erm… oh come on! We haven’t all come this far just to stop whinging, jabbing and moaning at each other. That craft keg vs cask ale argument has been fun, but we need something NEW to get embarrassingly, self-destructively furious about. Here we go. Here it comes…

WHO DESERVES THE CREDIT FOR SCRAPPING THE BEER DUTY ESCALATOR?

Aah. That’s better. I can feel the whining irritation rising, the impotent, pointless fury building. Look, you see, CAMRA deserve the credit because they got the petition to over the 100,000 signatures necessary to have the issue debated in Parliament.

YOU WHAT? But, but, Hobgoblin (Marston’s) started the petition in the first place, so THEY deserve the credit.

DON’T BE CRAZY! The British Beer and Pub Association have harangued and campaigned and lobbied against this since before the blasted escalator even came into being! THEY deserve all the credit.

ARE YOU OFF YOUR BLOODY NUT!? The Sun newspaper got the issue truly recognised at a national level and got everyone talking, not all these industry types. It woz the Sun wot won it!

Hang on, though. Some might argue that because of the efforts of all of these people it actually became a reality. Some might say that this is a true, solid, perfect example of how consumer organisations like CAMRA can remain relevant; how politicians will listen if you unite, fight together, and fight hard; how getting the media on our side is how to win; how there is hope for this beleaguered industry yet!

Cor blimey, can you imagine? What nearly happened there was – my word, I can barely comprehend it – what we nearly had there, was a variety of people across the industry almost realising that together, when they each do what they do best, they can tackle the Government and make it think differently and act differently.

Wow.

Thank goodness we’re all back to bitching, frothing and bickering like normal, eh?

For a few hours there, it almost felt like change in the air. Thank heavens we all put a stop to that.

#BrooklynFeast

Who could have predicted this week’s Winter 2.0? Some know-it-all meteorologist no doubt, but us common folk have been left with our gobs smacked and our flabbers gasted. The worryingly chilly weather was the unfortunate setting for Tuesday evening’s #BrooklynFeast, an event heralding the return of Street Feast London, whose events were hugely popular last summer.

#BrooklynFeast was organised by Brooklyn Brewery and beer importers James Clay, bringing together the brewery’s beers and the capital’s burgeoning street food scene in a perfect hipster storm of Instagrammable wonderment. Top street food vendors including Bowler, Big Apple Hot Dogs, Rainbo and Bleecker St Burgers set up in a car park off Dalston Lane, which was transformed into an ersatz street of trendy gluttony.

The bar at #BrooklynFeast (don’t worry, I’ll stop hashtagging it now) was stocked with eight of Brooklyn’s beers, each matched to a dish from one of the food vendors. The pairing menu below, featuring rarer brews such as Blast!, Pennant ’55 and the ominous There Will Be Black, was varied, well thought out and extremely appetising.

Below are a couple of the food and beer pairings that I tried:

There Will Be Black and Smokey BBQ Wings from Street Kitchen

These wings had a thick, crunchy batter and were dripping in a decadently thick BBQ sauce that was so delicious it could have easily started its own religion overnight. Like all great wings, just as you bit into one, the meat fell away and you were left holding a bone in your greasy fingers, grinning like a fool.

There Will Be Black is a 7.5% Black IPA (or Imperial Black Ale or Hoppy Stout…) that marries the rich, luxuriant body of the brewery’s seminal Black Chocolate Stout with a ferocious hop cannonade of Williamette, Pacific Gem and Motueka hops. It is an outstanding beer, rich yet with a silky body and palate-tingling hop finish. It supercharged the BBQ sauce on the wings, making everything sweeter, stronger and thicker, before scouring your palate clean with hops so you can do it all over again. A really exciting food and beer pairing.

Brooklyn Pennant ’55 Ale and Big Apple Hot Dogs’ “Dog of Phwoar”

Big Apple Hot Dogs were a big hit on the night, and had an enormous queue late into the evening. This is with good reason: these are the best hot dogs I’ve ever tasted. Forget slimy, slippery pig product tubes, these are the real deal. Gourmet, genuine frankfurters of pork, beef or pork-beef-blend. The excellently named Dog of Phwoar is a limited edition, spicy beef concoction that is best described as being like chorizo, but beef.

Brooklyn’s ’55 Pennant Ale, named after the ’55 New York Dodgers world championship-winning team, is an English-style pale ale with New World hoppy muscles. It’s a great all-rounder, offering crystal malt sweetness, dry, lager-like refreshment and fresh, hoppy bite. It met the spicy beef head on, but instead of fighting for dominance, they grabbed each other and danced across my palate. The beer softened the peppery blows of the beef without reducing the flavour, and cleaned the salt from my palate to boot. Not as exciting as the BBQ wings and TWBB, but a much simpler, straightforward match that worked just as well.

It was an exciting event with a lively crowd and a great atmosphere. I can hardly hold the weather against it, but it did make a big difference to how long people were willing to sit or stand outside, heaters or not. My only other complaint would be the number of people. The event encouraged people to try out smaller amounts of different foods and beers and keep coming back for more. This is a great idea, but the event had slightly too many people for it work smoothly. If they had set a slightly lower capacity, or had two sessions (one in the afternoon for trade, for example), the queues would have been shorter and people would have been more inclined to stay longer and try more of what was on offer.

That said, it was a great combination of food and beer in a friendly environment, and hopefully Street Feast will organise more events like this with local London brewers. Their ‘takeover’ at Camden Town Brewery last year was a fantastic collaboration, and Brooklyn Feast did an excellent job of bringing food and beer matching to the people in a cool, accessible format. More of this sort of thing, I say.

The Craft Knight Rises

Craft Beer Rising at the Old Truman Brewery – a sign of things to come?

The modern British beer landscape is rich, exciting and diverse. Traditional CAMRA-organised events, with rows of tilted casks and hi-vis-jacketed stewards are no longer the norm. We now have a variety of species of beer festivals. There are those put on by individual pubs (like last year’s CAMRGB takeover at The Lamb on Holloway Road), where a special selection of beers are brought in for a weekend. There are painfully trendy, street food-oriented outdoor events, like this week’s #BrooklynFeast in Dalston (where else?), which are pre-hashtagged for your social media convenience. There are also events that try to do a little bit of everything.

Just a couple of weeks earlier, Craft Beer Rising took the beer blogosphere by storm and established itself as the new must-visit event of the British beer calendar. It couldn’t have been more different to the London Drinker Beer and Cider Festival, or the Great British Beer Festival (GBBF), CAMRA’s yearly beer bash. Fewer beers may have been on offer, but there was a wider variety. Cask, keg and bottled beers were present from breweries all over the UK and the world. The trend for street food was both acknowledged and catered for. Real ale, craft keg and much more were all included as part of the same experience, and the crowd was just as varied, in both age and gender.

I wrote about Craft Beer Rising recently in Rum & Reviews, and I must admit I got rather excited about how it represented what I thought beer festivals should be all about. Before I went to the London Drinker event, I thought to myself, ‘Ha! Let’s this how this measures up!’ thinking that it would seem pale in comparison to Craft Beer Rising.

2013-03-07 17.19.35 — The CAMRA London Drinker Beer & Cider Festival. Proof that traditional beer festivals are still popular.

However, north London’s CAMRA beer festival is still going strong. The London Drinker event last week, in its regular home of the Camden Centre near Kings Cross, still had a big draw. Beer bloggers, beer tickers, old timers, young whippersnappers and brewers great and small made up a large portion of those attending. This was a CAMRA event though, and while women were more than welcome, many did not seem to feel welcome enough to actually attend.

The beer was served to much higher standard than I remembered, though the London bar seemed to have the lion’s share of the best beers. The main bar seemed to be 70% golden ale, and didn’t have nearly as many people drinking at it with ‘bloody hell that’s good’ faces. Unfortunately, the food offering was pretty basic, and shared space with the foreign beer bar. Some real treats were hidden away here though, particularly the mini-casks of Schlenkerla Marzen (liquid smoked bacon) and other German beers.

It wasn’t as much fun as Craft Beer Rising, but I can’t say that CBR was better either, as much as I would like to. These are two completely different events, and I expect #BrooklynFeast on Tuesday to be just as different again. I would be wrong to rank the UK’s beer festivals by how ‘good’ they are. Beer festivals are very subjective, individual experiences that appeal to tastes and personal preferences. The Celtic Beer Festival is completely different to GBBF, just as Wandsworth Beer Festival is to London Drinker, and just as the BrewDog AGM is to Craft Beer Rising. If CBR seems to be the better event, it might be because it adopts positive features from each of the above, and tries to do a bit of everything, and does it well. If this is a trend is on the rise (sorry), then I welcome it. We all get the beer festivals we deserve.

The fact is that each of these events is just as important. Each of them demonstrate the thrilling diversity of the British beer landscape, and we should recognise that each and every one is something to be proud of.

No Future – is beer innovation a myth?

The recent Beer Innovation summit received a very mixed reaction from the beer blogging community. At best, it was a valiant effort to establish some joined-up thinking and show appreciation of technological advances. At worst, it was a heavily blinkered back-patting exercise as everyone present congratulated themselves for being such good eggs.

Dave Bailey helped stir up debate on this issue, in an attempt to answer the following: what exactly is innovation in the brewing industry? Is it better quality cans to improve freshness and taste? Is it someone using Brettanomyces yeast and chili and ginger and mystical moonberries in an Imperial Black Saison? Is it creating a product designed to attract new drinkers to beer, which in the process alienates the faithful?

As far as I can tell, the debate simply created more and more questions, so many in fact that I can’t be sure that innovation in beer exists at all. Yes, technological advances can be innovative, but aren’t they simply industrial advances that improve the means of production, not the product? New beers are often old styles mashed together, or ingredients used differently to create the same thing. Where’s the ‘new’?

If I sound disillusioned, it’s because I am. If we are in a beer renaissance, where are our Da Vincis? I’m so, so grateful for all the excellent beer I drink, but is it really the cutting edge? My biggest fear is that someone is about to bring back mead, and that we’re all going to act like it’s a new and exciting thing.

The future. Actually, this would be pretty cool. Unethical, but cool.

I was recently at an excellent beer tasting session at Wilton’s Music Hall, presented by Adnams‘ head brewer Fergus Fitzgerald. Fergus made a unusually frank comparison at the very beginning: like wine, brewers seek to make a liquid from fermented sugars. The key words here, ‘like wine’. are rarely spoken by brewers, either because they cannot confidently compare their beers with wines, or because they see their beers as superior to wine, for one or several of many valid reasons. Fergus wasn’t trying to dredge up the old argument of beer vs wine in food terms. He was simply making a very valid and important point: think of the craft of wine-making in the same way as brewing. With this precedent firmly established, those gathered in the upstairs bar at Wilton’s were expertly guided through the core range of Adnams’ beers, and were generously introduced to a handful of oddities and one-offs, each stronger than the last (one of which, a Belgian yeast-driven Double IPA, was actually called Innovation).

This made me think that the ‘innovation’ we seek in beer should in fact be an innovation in thinking. The biggest change that will have the biggest effect on the brewing industry is changing the way it is perceived. Example: canned beer. Instead of making better cans, far more canned beer would be sold by changing the way we think about it. “Good beer in a can is good beer,” Fergus pointed out. “Crap cans of beer have crap beer in them.”

I think, like BrewDog say in their hopaganda, that the beer industry in the UK is sick. However, I think it’s a sickness that has symptoms undetectable to the subjects infected with it. We all think that the beer industry needs new, exciting things, but what we really need is new, exciting thinking. If you have the faintest idea what I mean (I barely do), please let me know in the comments.

Craft By Design

A guy walks up to me and asks ‘What’s Punk?’. So I kick over a garbage can and say ‘That’s punk!’. So he kicks over the garbage can and says ‘That’s Punk?’, and I say ‘No that’s trendy! – Billie Joe Armstrong

A clumsy comparison, you’re already thinking, but bear with me. Whatever ‘craft’ beer is, it is generally agreed that whilst it’s hard to define, you know it when you see it. The same applies to modern ‘craft’ beer bars and pubs. They can be very traditional looking, like the Southampton Arms. They can be bare-brick-and-granite hipster magnets like BrewDog Camden. Whatever the decor or the theme might be, you know it when you see it. Admittedly, this is normally because there are 40 taps crammed onto the bar, but the point stands.

There’s an increasing number high-end beer venues in the UK, especially in London. They stand apart from well-established real ale havens that have ten or more ales on, even though they might share the same patrons. They are identifiably ‘a thing’ as popular vernacular would term it (‘Oh, is this a thing now?’ ‘Yes, definitely a thing’). So we have not only a boom in specialist beer, but also in specialist beer outlets.

As Boak and Bailey recently blogged, there are a number of signs when a boom is about to peak, and ultimately, decline. The most damning and certain sign is when the niche thing in question is adopted whole-heartedly, and replicated perfectly, by larger, wealthier, mainstream competitors. Have we already reached that point with craft beer? Definitely. It’s been happening in the USA for years, as the recent ‘Craft vs Crafty’ debate has proven. Even in the UK, bigger brewers are starting to place value in ale brands that only a few years ago were seen as dead weight. So what about the outlets – the places where we all drink and experience this wonderful beer?

Will mainstream pub companies attempt to replicate the success of BrewDog’s bars?

I recently found myself with half an hour to kill in Waterloo station, and happened across the promising-sounding Beer House, which also has branches in Charing Cross and Paddington. After descending a couple of flights of stairs, I found myself in a well-appointed, pubby sort of bar that was quite large but still definitely part of a train station. The wood panelling, leather-cushioned benches, chalkboard beer menus and random spray of manufactured ‘vintage’ art all said ‘modern pub’. The beer selection was spread across several chilled T-bar fonts and four different handpulls. The chilled fonts had a couple of token mainstream lagers, but most were beers like Erdinger Dunkelweisse, BrewDog 5am Saint, and Flying Dog Doggie Style. The food menu boasted deals on classic Americana; hot dogs, burgers etc. alongside pubbier fare. Prices were Train Station x London + Craft, but this was to be expected.

Given all of that, it still had all the necessary ingredients to make a pub that I would like. So what perturbed me about this place? It was the way they were put together: a case of the Uncanny Valley, where advanced robotics creates something disturbing because it is close-to-but-not-quite human, applied to a pub. Here was a venue owned and operated by SSP, Compass, or one of the other catering companies that run the franchises in train stations, but created to mimic our modern idea of a high-end beer venue. There was a palpable synthetic quality to everything, not helped by the fact it was in a generic, train station unit. The deliberate way in which ‘fun’ was injected into the chalkboard writing, the barmaid’s look of confusion when I asked for one of the heavily-advertised paddles of tasting thirds, the fact that the staff were clearly from one of those Pumpkin Cafes; these all created little glitches in the Matrix until I found myself questioning everything about it. It’s hard to explain myself without sounding like a weird pedant, but that’s what it was like. That sudden certainty that everything has been deliberately chosen to replicate something you like, that if you punch a hole in the wall you might see a lab of men in white coats ticking boxes of clipboards.

Is this the future? Should I have a problem with it? There wasn’t anything in particular about that place that I disliked, but I worry about the long-term consequences. We are used to paying higher prices for beer that costs more to make, by people that have higher overheads and smaller workforces. If more mainstream chains of craft beer bars spring up, will smaller chains of outlets get priced out of the game? Will brewers that cannot provide the quantities (that born-again bigger brewers of ‘craft beer’ can) face decline and eventual closure? Am I making too much of this? I certainly hope so.

Fuller’s Griffin Brewery Tour

I was kindly invited by Adam Driver at Fuller’s to pay a visit on Monday, and was treated to a full tour of the Griffin Brewery in Chiswick. It was the day before my birthday, and I couldn’t think of a better way to spend it. Despite the efforts of a smattering of frozen water crystals (or ‘SNOW CHAOS’ as it is known on Fleet Street), I made it to Chiswick in good time, and enjoyed a swift half of Jack Frost at the Mawson Arms pub attached to the brewery. Jack Frost is Fuller’s winter seasonal ale, and uses Crystal malt and blackberry essence to deliver a sweet, nourishing warmth. It was just what I needed to warm my bones after a cold journey.

Old equipment is still a (non-functioning) part of the Griffin Brewery.

At 12pm the gathered tour-goers were met by Alison, one of Fuller’s excellent tour guides. In traditional brewery tour style, we were shown the brewing process from start to finish. Other brewery tours I’ve done have been at microbreweries, so it was interesting and different to explore a much larger brewery (over 20 tonnes of malt is used every brew day at Fuller’s, and each of the massive boiling coppers can hold 90,000 pints). Even more interesting was how the brewery has visibly expanded over time. Rather than being a massive, purpose-built facility, the Griffin Brewery is rather like London itself in the way it has filled out, expanded, filled out again and so on. Every available area of space has a mash tun, copper or two fermenting vessels stacked into it. The 31 FVs are layered in an enormous beer-tastic Rubik’s cube formation that you get to walk through and in-between.

60% of Fuller's beers are sold in cask, the remaining 40% in kegs or bottles. — 60% of Fuller’s beers are sold in cask, the remaining 40% in kegs or bottles.

All bottling, kegging and casking of Fuller’s beers is done at the Griffin Brewery, so aside from seeing the equipment used in the actual brewing process, we also got to see the packaging lines. The kegging line in particular was a treat, because there was a massive robotic arm called Les lifting three kegs at a time. Les was apparently a former Chief Engineer. I meant to ask if he actually became Les the robot in some kind of Robocop-style incident but I forgot. Other anthropomorphised pieces of equipment include coppers called Big Brian, Dave and Little Brian.

Local robot Les, hard at work on the kegging line.

The tour itself lasts a good hour, and is topped off with a visit to the Hock Cellar for a few samples of Fuller’s beers. At the time of my visit, there were also a few beers from Gale’s (who were recently taken over by Fuller’s). I tried London Pride, Chiswick Bitter, Gale’s HSB and Bengal Lancer, and each had that extra special brewery-fresh taste. The Hock Cellar is chock full of brewery and beer-related antiquities, and you can easily spend another half an hour wandering around and pointing at things.

And what trip to a brewery would be complete without a trip to the Brewery Shop? I couldn’t resist a big, bulbous, brandy-snifter-esque Fuller’s Vintage glass, and was kindly gifted bottles of the 2005 Vintage, Past Master’s Double Stout and Past Master’s Burton Extra, which I will review soon for Rum and Reviews.

The Hock Cellar is a treasure trove of brewery artifacts and has its own bar.

A tour of the Fuller’s Griffin Brewery normally costs a very reasonable £10 (or £12 on the day) per person. Fuller’s Fine Ale Club members only pay £8. More details can be found here. Have you done the Fuller’s brewery tour? What did you think? What’s the best brewery tour you have been on, and what makes a good one?

Gentlemen, to Science™!

I enjoyed a recent post from Boak and Bailey, which asked whether brewing should be termed as a science, art, or something else entirely. The comments prompted all sorts of thoughts in my head about how you can measure the artistic or scientific nature of brewing. Yet again, I find myself pondering the notion of ‘craft beer’. Wait! Don’t leave! I’m not about to try and define it. I think we’ve all wasted enough of our lives doing that.

What I mean is, art is a highly subjective field. Science™, however, whether it’s a child in a classroom or a theoretical physicist in a billion-pound laboratory, is defined by measurable results. Surely then, our hazy, multi-faceted, ever-changing notions of craft beer better fit into the category of art.

On the other hand, brewing (at least at a professional level) requires an intimate knowledge of microbiology, and processes that are designed to produce, and reproduce, a liquid to a specific set of characteristics with a very fine margin of error. If not an ‘exact science’, is brewing not then at least some sort of science? Definitely.

But then, do we consider the humble layman homebrewer a scientist, or indeed the industrial brewer an artist? Should brewing be considered by the scale at which it is being done? We could have the same discussion about chefs and their ‘art’. Surely the Michelin-star-boasting chef would not tolerate the chip fryer at a greasy spoon to be deemed an artist. Is creativity a factor here?

There is an argument for a different term entirely. Consider this:

“alchemy (countable and uncountable; plural alchemies)

(uncountable) The ancient search for a universal panacea, and of the philosopher’s stone, that eventually developed into chemistry.
(countable) The causing of any sort of mysterious sudden transmutation.
(computing, slang, countable) Any elaborate transformation process or algorithm.” – Wiktionary.

What you’ll see if you put some IPA under a microscope

I would certainly argue that beer is the universal panacea, at any rate. We know that brewing was once thought to have involved divine intervention. Before people worked out what yeast was and how it worked, some called the process of fermentation godisgood. That might be an old beer wive’s tale (most “beer facts” seem to be, sadly) but consider the ‘mysterious sudden transmutation’ that was associated with alchemy. The transformation of liquor (water), hops (or it’s predecessor, grist) and malt into an intoxicating beverage that brought with mirth and merriment must have seemed alchemical, if not magical. Fermentation and conditioning may not be ‘sudden’, but they can certainly be mysterious processes.

Maybe we are better off with something less abstract, like skill, which at least covers the ability and craftmanship of the brewer, if not entirely recognising the stranger, weirder aspects of brewing. That old marketing buzz word artisan might be a better fit, but again, can all brewers be artisans?

Is the correct, proper, accurate and fairest term for brewing just brewing? Perhaps it can be set apart from definitions as something special and unique. What do you think?

A year of beer: my Golden Pints 2012

New year, new blog, so why am I looking back on the past 12 months? Well, it’s been one hell of a year for beer. The UK is teeming with even more new breweries, producing even more exciting beer to satisfy the most demanding of beer geeks. New pubs and bars are springing up to satisfy the growing demand for ‘craft beer’, even though nobody is entirely sure what it it is. Whatever it is, it has certainly been very good. Here are my favourites of the last year.

Best UK Draught Beer

1st – Magic Rock Human Cannonball (keg): A consistently excellent beer that is far, far, too delicious and drinkable to be 9.2%

2nd – Adnams Ghost Ship (cask): The hype about this beer made me skeptical, but after three consecutive pints I couldn’t think of a better cask beer I’d had this year.

3rd – St Austell Ruby Jack (cask): a red ale made with rye malt and buckets of hops, this is a rich, tasty beer that demands just one more pint.

Best UK Bottled or Canned Beer

1st – Oakham Ales Green Devil IPA (bottle): The absolute showstopper of 2012. I first tasted it at GBBF, where it absolutely blew me away. The bottled version is even crisper, fresher and juicier. The best IPA being made in Britain.

2nd – Moor Revival: Stunningly refreshing, bursting with clean, hoppy flavours and only 4%. Shaming to so many beers that are stronger and taste of so much less.

3rd – Fuller’s Black Cab Stout: It might not be 18% and infused with ginger, arctic berries and uranium, but this is the best bottle of stout I’ve had this year. Magic Rock Dark Arts is superior on cask, however.

Best Overseas Draught Beer

1st – Mikkeller Texas Ranger: This chipotle-infused porter is classic Mikkeller – ambitious and cocksure, with enormous flavours precariously balanced by madness or design. Genuinely spicy and very moreish.

2nd – Flying Dog Wildeman Farmhouse IPA: If a trend develops for this delicious hybrid of saison and IPA, I will ride said trend to my destruction. The freshness of a saison coupled with the juicy bursts of citrus from American hops makes for something very special indeed.

3rd – Köstritzer Schwarzbier: A gorgeously crispy, none-more-black lager with loads of bittersweet roasted barley. Served in a towering Irish-Coffee-style handled glass, in the Carpenters Arms in Shoreditch.

Best Overseas Bottled or Canned Beer

1st – Kona Brewing Co Koko Brown Ale (bottle): Normally, including coconut in something ensures I will avoid it or hate it, but this sublimely balanced and delicious brown ale is sheer quality, through and through. I discovered it in Kris Wines and found myself praying it would still be in stock every time I returned.

2nd – Rogue Brewing Co Dry Hopped St Rogue Red Ale (bottle): Hoppy red ale to the power of ten; a sort of star-spangled 5am Saint/Rapture style red ale that deserves its swagger.

3rd – Mikkeller 19 (bottle): boasting 19 hops, this was undoubtedly Mikkeller’s ‘Spruce Goose’, and proved that the line between genius and insanity is a fine one indeed.
Best Overall Beer

Green Devil IPA – A genuinely astonishing beer that needs your immediate attention.

Best Pumpclip or Label

1st – BrewDog and Flying Dog’s International Arms Race labels. I simply can’t choose between Ralph Steadman’s Gonzo Dogfight or Joanna Basford’s beautiful Battle Owl.

2nd – Camden Town Brewery’s rebranding is bold, stylish and makes fun of style purists. Very cool.

3rd – Magic Rock Brewing Co. Seriously, just look at them.

Best UK Brewery

There are simply far too many to choose from now, and almost every microbrewery in Britain has done something worthy of note this year. Having said that, three that have been consistently incredible this year are Magic Rock, Thornbridge and The Kernel. None of them have made a beer that wasn’t amazing.
Best Overseas Brewery

Mikkeller. You just can’t stop him.

Pub/Bar of the Year

I’ve been to so many amazing pubs and bars this year that, in choosing the best, I have to think hard about the times I’ve had there, not just the beers. Again and again, I keep recalling wonderful afternoons, evenings and nights spent in BrewDog Camden, where I am always welcomed warmly by the staff, and drink wave after wave of marvellous beers.

BrewDog seem to attract more hate with each passing month, but in the bar stakes, they are truly inspirational. They have the best staff, hands down, and every moment spent there is a pleasure.

Beer Festival of the Year

The Celtic Beer Festival at St Austell Brewery. As I blogged recently, this is an excellent and much livelier alternative to your average beer festival. Over 150 beers, focusing on Cornish, Welsh, Scottish beer, but with plenty more from around the UK and across the world, all served in the St Austell Brewery cellars with live music, lively crowds and a great atmosphere.

GBBF at Olympia was admittedly much better this year, and BrewDog’s Punk AGM was more beer festival than anything else, but the Celtic Beer Festival had a rowdy charm that really blew me away. I can’t wait to go back.

Supermarket of the Year

I live not too far from a decent-sized Waitrose, and they have really impressed me with their selection. They regularly have deals on different bottles too. There was a week or two when Sierra Nevada Pale Ale, Torpedo and Goose Island IPA was on offer, and there was much rejoicing.

Independent Retailer of the Year

It simply has to be the small but mighty Kris Wines. This bewilderingly well-stocked off-license is normally populated by men in their thirties, peering in studious wonder at the incredible range of beer from around the world on offer here (“Oh look,” you say turning to your left, “there’s all of Belgium”). The owner Kris is a friendly chap too, and always happy to help you find your looking for.

Online Retailer of the Year

I haven’t really used online beer retail that much this year. Having Theatre of Wine and Kris Wines relatively close to where I live means I do most of my browsing in a shop rather than online.

Whilst BrewDog have improved over the last year, I can’t in all honesty say they are amazing.

I’m going to have to abstain from this one.

Best Beer Book or Magazine

My winner would have to be Des de Moor’s London Beer and Pub Guide, which has served me very well this year, getting me out to the parts of London I wouldn’t normally explore, and has lots of history as a bonus.

I’ve also just started reading Tim Webb and Stephen Beaumont’s World Atlas of Beer, which is excellent and incredibly detailed.

Shakespeare’s Local by Pete Brown was also a great read, especially for social history buffs.

Best Beer Blog or Website

This has to be a tie between the regularly mouth-watering The Good Stuff and the grey-cell-stimulating Boak & Bailey.

I should also give an honourable mention for Pumpclip Parade, for fighting the good fight.

Best Beer Twitterer

Far too many to choose from, so I’ll simply do a Twitter-style #ff for @MelissaCole, @BroadfordBrewer and @CAMRGB, who regularly fill my timelines with beery fun and are all Good Eggs.

Also for my good colleagues @RumAndReviews – @estebansemtex, @Matt_RnR, @Stevecrotty, @generallucifer, @ruariotoole and @craigheap.

Best Online Brewery Presence

BrewDog are still putting everyone else to shame. Every brewer should have a very different online presence certainly, but BrewDog’s is simply better. They blog regularly, use Twitter to actually engage with drinkers (instead of just retweeting praise *shudder*), and their employees are passionate envoys of beer geekdom.

Food and Beer Pairing of the Year

Nothing too gastronomic or abstract – just a traditional Belgian beef carbonadde flamande I made at home in the slow cooker, with the beer marinaded in Chimay Red overnight. Naturally, another bottle or two of Chimay Red were used to wash it down. So simple, but so, so tasty.

In 2013 I’d most like to…

Visit more breweries, meet more beer tweeters in real life and drink a lot more beer from Belgium and Italy.

Open category – Worst Beer PR Email of The Year

Let’s face it, there have been a lot of contenders this year. For me, it has to be the misguided but enthusiastic efforts of the people doing PR for St Stephanus, who proudly and breathlessly lauded its completely unique selling point: that it undergoes a secondary fermentation in the bottle. Whoops.

New Year, New Blog…

What’s the big idea, eh? Upping sticks from Blogger, moving over here to WordPress and changing the name? Yes, the time has come to leave behind the insufferably wacky quirks of Blogger for something that actually behaves itself.

The Beer Diary will have a broader focus than the sporadic moaning of my previous blog. I’m going to delve more into the things that get me excited: beer history, beer and food, where to drink and what to drink.

I’ll also post my own verdict on 2012’s Golden Pints in a couple of days. It has been a rather good for beer, after all.

So stick around, and you might read something you like.

Keep thinking and drinking.

Chris.

St Austell Brewery and the Celtic Beer Festival 2012

The Celtic Beer Festival’s Top Bar in full swing.

There is a firm connection in my mind between beer and rain. Why? It’s hard to say. It may be something as subconscious as the association with water. It could be more abstract; that these are two things the British are world-beaters at. I think it’s most likely to be memory association. There have been many occasions when, in pouring rain, I have sought sanctuary in a pub. Watching the rain bucket it down whilst sat in the cosy warmth of the pub with a pint is a memory almost all of us can recall if asked.

My time in Cornwall last weekend provided ample opportunities for this. We may moan a lot about the weather, but it is with perfectly good reason. As I write, the South West of England is still, literally, awash with reports of floods and torrential rain. The effect on the roads, public transport and the rail networks has been predictably nightmarish, despite it seeming to occur on a yearly basis now. It was here that I came a cropper.

I was visiting St Austell Brewery with the British Guild of Beer Writers, with the chance to tour the brewery with Head Brewer Roger Ryman and attend the Celtic Beer Festival at the Brewery the next day. Due to all manner of boring travel-related nonsense that is not worth describing, I missed the brewery tour and was in a rather sour mood by the time I got to our hotel in Truro. However, there was still a marvellous beer and food dinner to be enjoyed at the Pandora Inn that evening, where I got to meet and chat with two of the lads (Rob Orton and Adam Lumb) from St Austell’s microbrewery plant. As so many brewers are doing now, St Austell are using a sort of pilot testing plant to brew one-off beers with the intention of finding long-term new core beers. The menu that evening matched five new beers from the microbrewery with five courses of local cuisine. The Ruby Jack Rye – a stunningly rich, smooth and well-conditioned red rye ale – was my personal favourite. Others, like the Smoking Barrel Rauchbier and Bad Habit Abbey Style Tripel, were also excellent.

The excellent Beer and Food matching menu at the Pandora Inn on Friday night.

The 14th annual Celtic Beer Festival took place the next day, and was held in the cavernous cellars and tunnels that form what were the old storerooms. Over 150 beers were on offer and more than 30 of those were from St Austell itself, including beers that the microbrewery have been working on. Whilst wishing to avoid that particular cliché about arranging drinking occasions within brewing premises, I can categorically state that St Austell run an absolute belter of a beer festival. The atmosphere, with a noticeably younger crowd than many beer festivals I’ve been to, was as lively and occasionally as rowdy as any night out. Several levels of storerooms made for low-ceilinged, noisy drinking halls, and one had a stage with live bands playing. Everyone I saw that day had a smile on their face. The atmosphere was amazing, and all the more remarkable considering the amount of time that many people had been waiting outside in the rain for over an hour to get in.

The Bottom Bar was constantly packed with people enjoying live music and good beer.

More importantly, there is the matter of the beer available. I had been expecting a mix of Cornish, Welsh and Scottish beers, but the selection was far wider. Obscure American imports such as SKA brewing Pinstripe Red, Sierra Nevada Kolsch and Stone Levitation IPA were available alongside tamer fare like the brewery’s own Tribute, Proper Job and Trelawny. All the beer I tasted, no matter its origin, tasted fresh and excellently kept. It really is some of the best beer I’ve tasted at a beer festival, and it was a wide variety of cask and keg. I will share my short, festival-friendly (read ‘scribbled on programme’) reviews in next week’s Rum and Reviews Magazine, though I will give special mention at this point to Bodmin’s own Harbour Brewing Co and their delectably decadent Chocolate Stout. Easily the equal of Brooklyn’s Black Chocolate Stout in terms of flavour, this 9% beast is so light-footed you could swear it was half the strength. The rich, indulgent chocolate flavour is reassuring evidence of a large amount of highest-quality chocolate malt. It really is sensational. St Austell’s range of Abbey-style beers, including the aforementioned Bad Habit, are also fantastic.

Finally, I would like to pay tribute (oh, come on) to Head Brewer Roger Ryman himself. When he wasn’t serving behind one of the festival’s many bars downstairs, he would be upstairs, happily having his ear chewed off by bloggers and fans of the brewery all day long. Cheers to Roger and the brewery for organising such a fantastic beer festival.

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