The Distance: The Case for Craft

('Redacted' by opensource.com, from Flickr, under Creative Commons)
(‘Redacted’ by opensource.com, from Flickr, under Creative Commons)

 

On Friday last week, All About Beer magazine published the editorial for the forthcoming March 2015 issue on its website. The editorial announced that the magazine would cease to use the word ‘craft’ in relation to beer wherever possible. If you haven’t read it yet, please do. It’s an important issue, and (I think) unusual to see a publication like AAB to set out its stall on the issue in these terms.

My first reaction to the piece was mostly positive – it suggests maturity, objectivity and uneasiness about using a term so casually banded about by anyone who uses hops beginning with C – but there was also something unnerving about it.

There a few things open to dispute in the piece, not least the assertion that “[larger] brewers use the same ingredients as smaller brewers to make the same final product: beer.” It isn’t that issue that bothers me so much, though.

Almost every blogger or communicator about beer has at one point or another had a fair old stab at what craft means in the context of beer. Don’t worry, I’m not going to repeat any arguments or pitch a definition. This is the thing that bothered me about AAB’s editorial. They aren’t really suggesting a new, constructive angle to the debate. They’re giving up on it.

Most people who get interested in beer travel a similar journey: we start out blissfully unaware of how deep the rabbit hole goes, drinking only what we feel like and what our peers drink. Then, we have That Moment, when a door is opened to a wider world, and the period that follows can last for years, as the never-ending thirst for new experiences takes in everything it can find. Eventually, we decide that only the smaller, odder, artisanal stuff is worth anything; and then we have the Second Moment, after we discover more about processes, older breweries, bigger breweries, and more complicated beers that appear so simple at first glance. We reach The Realisation: that the size of the brewery and rarity of the beer is less important than the qualities of the beer itself. We conclude that big and small is relative, and that ultimately, it’s just beer that matters.

When you’ve taken that journey and reached that conclusion, you realise that it isn’t a conclusion at all, but the beginning of a much longer and more rewarding journey, as you pursue what good beer can be.

The editorial in AAB seems to accept that “it’s all just beer” is a satisfactory conclusion to the mystery of what “craft” means. It absolutely isn’t. And yes, “craft” is not a satisfactory term, nor will there ever be one that satisfies everyone. Good. It’s that disagreement, and the discussions and ideas and the beers that result from it that are the most important thing. It’s the whole point. That “passion and enthusiasm” that AAB finds at once so lovely but also kind of annoying, is what’s keeping this thing going. If we all decided to drop craft, do you really think we would all view beer objectively, on its own merits, as this (very well-written) blog post from Literature and Libation suggests? I’m afraid we’re simply incapable of doing so, and that’s something to be proud of. This is a subjective business, rooted in the most subjective thing possible after all: sensory input.

To simply conclude that “craft” is no longer working, and to drop it, is giving up on the pursuit of what great beer means. To its credit, AAB states “…we don’t honestly believe that the word craft will disappear anytime soon, but we do believe it’s time to have a conversation about what it really means. Is it a helpful word that makes beer better, or is it necessary at all?” Is the best way to start that conversation saying that the debate is over, so don’t worry about it? Shoving every instance of craft into a memory-hole and pretending it isn’t relevant, that it was too much hassle to figure out so it isn’t worth discussing?

I appreciate and understand the received wisdom that the UK beer scene is roughly 10 years behind the one in the US, but if this is the wishy-washy debate and shrug of dismissal that we have to look forward to 10 years time, then we need to take our beer scene in a drastically different direction. 10 years difference or not, the word means enough globally that we all have a say in whether it means anything or not.

I won’t ever agree to some hokey editorial manifesto that seeks to stop using specific words it doesn’t like, much less any school of journalism that believes it can better explore and investigate something by, uh, not talking about it anymore.

AAB makes the point that “craft” has lost its meaning now that it has been appropriated by larger breweries. It argues that we need to leave the word behind so it can no longer be misused. Do we really believe that the end of the word “craft” will result in global corporations not seeking to exploit the hard work and bright ideas of smaller, faster companies? “Craft” has certainly become a battlefield, bleak and arduous at times, and I can understand the fatigue of those that have watched it be slung back and forth, but as AAB itself acknowledges, the combined U.S. craft segment is now outselling Budweiser. It’s a war, but one that “craft”, as divisive and myriad as it is, is starting to win.

“Craft” is inflexible, it causes more arguments than it solves, it’s misused, abused, and used against the people that deserve to use it the most. It’s full of holes, the engine is shot and some of the wheels have fallen off, but this word has taken us the distance. It has a lot to answer for, but as long as it continues to create discussion, debate and more importantly progress, then I will always make the case for craft.

The Distance: Brewing The Juicy Banger

Photo: Marcos Avlonitis (www.mindofmarcos.com)
Photo: Marcos Avlonitis (www.mindofmarcos.com)

 

In a new series of blog posts, I’m going to explore how far the UK beer scene has come in the past year. This is more than just a post about 2014 in review. Each year sees craft beer in the UK gain ever larger exposure, but how do you measure that, how do we quantify what has been achieved and where this is going? It’s something I can only describe as The Distance. This first post on the topic is a personal one, about a beer with a name from a blog post.

 

In October, I wrote about the emergence of an ‘anti-style’, the Juicy Banger, a beer that could be lager or ale, 3% or 7%, but always pale, always juicy with pronounced citrus hop character and endless refreshment. The term gained a bit of traction, and caused a bit of discussion.

With the term Juicy Banger, I wanted people to think about beer differently, but I didn’t want to become the Supreme Chancellor of whether a beer is or isn’t one. People started asking me if X or Y or Z was a Juicy Banger, to which I would awkwardly respond “well, do you think it is?” More often than not, they did, and the fact they were asking the question often indicated that they already thought so. That was kind of the point really: to empower people to describe and determine the beers they like in a way separate to the established lexicon and parameters of the industry. Not long after writing the post, the opportunity arose to put the term to the test.

It’s no secret that I’m fond of Camden Town Brewery, its beers and many of the people who work there. It does good beer right and fights the good fight. After establishing themselves in London’s beer scene quickly in the earliest years of this decade, a lot of people have moved onto newer breweries for their hoppy kicks, and I regularly find myself urging people to rediscover Camden’s beers, especially since the launch of their barnstorming IHL.

What you might not know is that every member of staff at Camden gets a turn to brew on the pilot kit, and Sofia De Crescentiis had chosen a Grapefruit IPA, based on one of her favourite Canadian beers, what she calls her ‘eureka’ beer. After a number of discussions between myself, Matt Curtis and people who work at Camden Town Brewery (namely Sofia and brewing director Alex Troncoso), it was proposed that Sofia’s turn on Camden’s pilot kit would be a grapefruit IPA, and that Jonny from the Craft Beer Channel would join Matt and I in helping Sofia brew it and film our efforts.

The name for the beer quickly became apparent (considering all that grapefruit we bought), and whilst I was initially hesitant that Juicy Banger became a single, labelled product, I could also see the opportunity to use it to spread the idea of how flexible beer styles can be, and have some fun making a tasty beer at the same time.

Brewing the beer on cold day in early December was indeed a lot of fun, as seen in the Craft Beer Channel’s video, and the difference that a handful of grapefruit zest could make to 50l of hopped wort is etched onto my palate and brain for ever. The malt bill was 95% pale malt, which the remaining 5% made up by Victory malt to give a little colour and extra body. The hops chosen were Magnum, Amarillo, Citra and Centennial, with the grapefruit zest added at flameout and a further dry hopping of Citra after primary fermentation. One thing’s for certain: without the expertise of Camden brewer Pete Brown (not that one), the brew could have easily been a disaster. For example, we wanted to throw a LOT more grapefruit in there before Pete stopped us. You can read more about how we brewed it in Matt’s blog post.

I had been concerned that the beer would be bitter to the point of unpalatable tartness, that too much pith had gone in with the zest and that it would be slightly sour or even undrinkable. Happily, the resulting beer was far more nuanced than I was expecting. Whilst close to 7%, it had a rounded, orangey sweetness that reminded me of SKA brewing’s Modus Hoperandi, but with a much cleaner palate and a sharp bitterness that developed in a dry, grapefruit-accented finish with lip-smacking astringency. Simply, it worked marvellously well. There was some debate between us all whether it was too bitter or not too bitter enough, but for a first attempt I think it shows a lot of promise. Maybe, just maybe it will make its way into Camden’s brewhouse proper one day.

Meanwhile, on Twitter, Boak and Bailey pointed out the closing of a feedback loop, an indication that the chumminess between people who write about beer on an amateur and professional basis and the people who make the beers those people write about has folded space somehow.

The thing is, the beer was going to exist in that form one way or another, with or without the moniker of The Juicy Banger. It was Sofia’s beer after all. So the beer always came first, but it’s also important to understand that it isn’t called The Juicy Banger because of my blog post. It’s called The Juicy Banger because of the response to the blog post, because people found the term applicable to beers they liked and took it for themselves. This wasn’t the closing of a feedback loop – this was the narrowing of the distance, between brewers and drinkers, between the beers people want and the beer brewers make.

How to measure that distance, though? Well, the entire batch of The Juicy Banger sold in just over 30 minutes, which is a testament to Sofia’s idea, to Pete’s brewing knowledge, and the zest of four pink grapefruit. Three bloggers just tried not to ruin it.

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Golden Pints 2014

Golden Pints 2014

Crikey. It’s been a bit of a year, hasn’t it? Time to beat ourselves to death again over what were the best beers of the year. Having already done my Golden Posts, I thought I would have sufficiently limbered up the beer memory section of my brain, but alas, no, Golden Pints gets harder every year. This is obviously brilliant though, so let’s crack on.

 

BEST UK CASK BEER

Jarl.

Jarl. Jarl. Jarl.

Jarl.

Fyne Ales Jarl.

Jarl is a stunning beer in any format, but it also shows just how great a dispense method cask can be. It’s all about what the beer gains from it in terms of body and finish, and it makes most other pale ales seem embarrassingly one-dimensional.

Runner up: Magic Rock High Wire, Adnams Ghost Ship.

 

BEST UK KEG BEER

I’ve been hugely impressed by the consistency, conditioning, and clarity of flavour of Beavertown Gamma Ray this year. Foaming out of the glass, its gorgeous flavours in stunning high-definition and in perfect nick. Every. Single. Time. It’s no coincidence – it’s hard work and it’s paying off big time.

Runners up: Pressue Drop Pale Fire, Camden Town Brewery Pils, Brew By Numbers Berlinerweisse Lime

 

BEST UK BOTTLED/CANNED BEER

2014 really was the year of the #can, and among the leading pack of Beavertown, Fourpure and BrewDog, a late runner emerged in the form of Camden Town’s IHL. It’s simply the best lager being made in the UK, and one of the best-tasting beers in the UK overall. Whilst to many it might seem like ‘just another hoppy beer’, the technical accomplishment of this bright, detailed and glorious beer should not be underestimated.

Runner up: BrewDog Dead Pony Club

 

BEST OVERSEAS DRAUGHT

I tried some amazing Czech beer when I visited Prague earlier this year, but missed out on a trip to Pivovar Kout due to having to fly home early. I was overjoyed to see some of its beers launched at Mother Kelly’s last month and after one taste of the Kout 12˚ Unfiltered, there was no doubt left in my mind. Quite possibly the fullest, richest and yet most balanced lager beer in the world. Sensational.

Runners up: Firestone Walker Double Jack, Lagunitas Lil’ Sumpin’, Troubadour Magma

 

BEST OVERSEAS BOTTLED/CANNED

The reaction to Galway Bay’s Of Foam and Fury double IPA from visitors to Dublin for EBBC14 was unanimous – this is truly an incredible beer that stands up to the very best from the US and the UK, and sums up in so many ways the heart and ambition in the Irish craft beer scene.

Runners up: Westbrook Gose, Oskar Blues Deviant Dale’s IPA,

 

BEST COLLABORATION BREW

The ingenious blend of Camden Town Gentleman’s Wit and The Kernel London Sour is a great achievement in its own right, but the ageing of that blend in a burgundy barrel took the resulting beer to a whole new level. Camden Town/The Kernel Gentleman’s Agreement was easily one of the most memorable beers I’ve tasted this year, with a stunning complexity that punched well its modest strength of 4% abv.

Runner up: Beavertown/ELLC Londonerweisse

 

BEST OVERALL BEER

I don’t want to choose, I really don’t, but one beer  has impressed me more than any other this year and it’s Camden Town IHL. What an incredible piece of work.

 

BEST BRANDING, PUMPCLIP OR LABEL

It’s a very crowded field these days, and too tricky to choose one from so many, so here are my favourites of the year and why:

– Pressure Drop for Nanban Kanpai and Ballwanger

– Beavertown for Gamma Ray and Bone King

– Camden Town for IHL and Hells cans

– BrewDog for their rebrand, which grows on me day by day, and especially for how Jackhammer and Zeitgeist now look.

 

BEST UK BREWERY

It’s nigh on impossible to pick just one anymore. The only criteria I could really use this year was whether any one brewery is as good or better than the brewery I gave this to last year – The Kernel. I think only one brewery in the UK has really nailed every single beer they sell, no matter the container, the style or the packaging, and that’s Beavertown. It’s been an amazing year for them. They’ve advanced themselves enormously, but also the craft beer scene as a whole with some amazing events and incredible collaborations.

Runners up: The Kernel, Thornbridge, BrewDog, Magic Rock, Camden Town, Weird Beard, Buxton

 

BEST OVERSEAS BREWERY

Dieu Du Ciel! is probably the only brewery that can get away with having an exclamation mark in its name, and that oomph is locked into every one of its beers. I was blown away by Moralité and the sheer breadth of beers they brought over for tap takeovers in BrewDog bars this year. Incredible stuff and a brewery I want to see more of.

Runners up: Firestone Walker, Cantillon.

 

BEST NEW BREWERY OPENING 2014

The beers knocked out by Connor on his first try with the new kit at the Dragonfly in Acton told me me this was a brewer who knows what he is doing. Hitting the ground running with well-rounded examples of best bitter, American pale ale, dry stout and hefeweizen in one the best-looking pubs in the capital is a strong start, and I’m looking forward to seeing how they grow in 2015. Special mention for Runaway Brewery whose IPA and American Brown both really impressed me this year.

Runners up: Runaway Brewery.

 

PUB/BAR OF THE YEAR

It has the best staff, amazing customer service, a new and improved food menu and not just the range (“40 taps of awesome”) but also the management to make every one of those taps count. Every time I’ve been to BrewDog Shepherd’s Bush I’ve felt like a valued customer and left full of great, great beer.

Runners up: Mother Kelly’s, Hop and Berry, North Bar.

 

BEST NEW PUB/BAR OPENING 2014

From the moment it opened, Mother Kelly’s has been making all the right moves. Fully refrigerated beer selection to enjoy there or take away, an ever-rotating selection of great draught beers and simple, well-chosen sharing boards in an area that’s fast becoming a microcosm of great independent bars of all kinds.

Runners up: Dragonfly Acton, Hop and Berry. 

 

BEER FESTIVAL OF THE YEAR

I loved Leeds International Beer Festival this year, but when I finally went to the Independent Manchester Beer Convention this year for the first time, I saw where the DNA came from. IMBC is the most influential change to British beer festivals since CAMRA, and it’s right that more people emulate its formula that brings great beer to great people in a great location. It’s brilliantly organised, and the hard work behind it shows in the smiles on the faces of the attendees.

Runners up: London Craft Beer Festival, Leeds International Beer Festival.

 

SUPERMARKET OF THE YEAR

Waitrose would have taken this again, but M&S clinched it at the very last minute by being the first UK supermarket to sell six-packs of bottles of craft beer (Lagunitas IPA). It doesn’t sound much but it’s a huge step-change for supermarket retail in the UK. Waitrose and Tesco will follow.

Runner up: Waitrose

 

INDEPENDENT RETAILER OF THE YEAR

A tough category as the choice gets better every year, but my winner is Sourced Market in St Pancras. The selection is great, the prices decent, the option to drink on the premises very welcome, but I’m always stunned to see just how fresh the beer is (Kernel pale ales bottled yesterday you say?) and the newest beers in London are always well-represented. Special mention for newcomer Hop Burns and Black, who, whilst very far away from me, have an amazing selection that demands regular return visits.

Runners up: Hop Burns & Black.

 

ONLINE RETAILER OF THE YEAR

I rarely order online, but I’m going to give this one to BeerBods (disclosure: I’ve done a couple of write-ups for them) because they’re doing great work in getting people interested in trying and talking about new beers. I also like their new ‘collections’ of mixed beer cases they’ve started to offer. They are fighting the good fight the right way, and the number of people emulating what they do shows just how right they are.

Runner up: Ales by Mail

 

BEST BEER BOOK OR MAGAZINE

The long awaited modern history book for beer geeks, Boak and Bailey’s Brew Britannia, was as great as we had all hoped. It’s not just a great read, it’s also important and right that we have finally have an objective text covering the rebirth of British beer. The authors tireless research and insightful conclusions are both fascinating and, by the end, hugely reassuring. It’s a real triumph.

 

BEST BEER BLOG OR WEBSITE

For the stories, the breathlessly excited tasting notes, the pictures, the bravery to tackle divisive issues with passion and the composure to respond to criticism with unflappable calm, my winner is Total Ales by Matt Curtis. I work closely with Matt and we’re good friends, but his blog is still the one that makes me think ‘Shit, I’d better write something bloody good next time’.

Runners up: Get Beer Drink Beer by Justin Mason, The BeerCast by Richard Taylor, Boak and Bailey’s Beer Blog.

 

BEST BEER APP

Fiz provided a fun and cheerful escape from dreary commutes for good little while, but nothing connects me to beer, beer people and beer places more or better than Twitter. It’s easily become the most useful, adjustable and accurate lens through which I view the world of beer.

Runners up: Fiz, Craft Beer London.

 

SIMON JOHNSON AWARD FOR BEST BEER TWITTERER

David Bishop (@broadfordbrewer) says what we’re all thinking, or at least, what many of us would be thinking if we were as funny as him. His #twattybeerdoodles have become finger-on-the-pulse political cartoons for the world of beer, and his high-quality dad jokes take the edge of even the most ferocious hangover.  He’s a lovely bloke too, annoyingly.

Runners up: @totalcurtis, @boakandbailey.

 

BEST BREWERY WEBSITE/SOCIAL MEDIA

When it comes to online and social media interaction, no brewery comes close to BrewDog, but Beavertown and Camden Town have both upped their game and are themselves quite far ahead of everyone else.

Runners up: Beavertown, Camden Town